Naked (1993)
Scott Lyall
The Man Who Left His Will on Film (Nagisa Ôshima, 1970)

Esthetics have devolved into rare types of stupidity. Each kind of stupidity may be broken down into categories such as bovine formalism, tired painting, eccentric concentrics or numb structures. All these categories and many others all petrify into a vast banality called the art world which is no world. A nice negativism seems to be spawning. A sweet nihilism is everywhere. Immobility and inertia are what many of the most gifted artists prefer. Vacant at the center, dull at the edge, a few artists are on the true path of stultification. Muddleheaded logic is taking the place of clearheaded illogic, much to nobody’s surprise.

- Robert Smithson, ON THE OCCASION OF THE ART AND TECHNOLOGY SHOW AT THE ARMORY

« I was on a panel with other critics and someone asked to describe the critic's job and I said that my job was to get a hard-on. And what I meant by this is that the city is among other things an inherently erotic phenomenon. It's about expectation and the stimulation of desire. »
DEMOLITION OF A BUILDING AT KÖSLINER STRASSE IN BERLIN, 1961
Koka Ramishjvili